Monitor Mix Inadequate?

By Jeannie Deva

I�d like to help you make this New Year one of great success. As a singer, you are the focal point for the audience. The better your voice, the more confident you can be. Your confidence as a singer provides the foundation for freer expression and a more powerful song � one that will really reach out and move your audience.

There are many aspects which collectively, affect your voice � either in a positive or in a negative way. The more determined you are to be all you can be, the more important it is for you to know each contributing element and from there, make appropriate decisions that will aid your survival and expansion as a singer.

In this vocal lesson, we�ll address one of the most common problems that face every singer when rehearsing and performing with others be it a choir or a band. Let's explore:

Monitor Madness - Shouting Over the Band

Some of us are just lucky. The lucky have excellent PA equipment that can be EQ�ed (equalized) so that their voice actually sounds good both through the house speakers as well as the monitors. The lucky ones have expensive ear monitors or a live sound engineer who cares enough to effectively handle the monitor mix. They can actually hear themselves when they sing despite guitar volume. But even the lucky have an occasional bad time. At those times, they join in the brotherhood or sisterhood of singers who struggle to hear themselves for lack of a good monitor mix and earsplitting instrumental stage volume.

What is it that singers have to do to hear themselves these days? There ought to be a union called "Singers Who Can't Hear Themselves, Local 23." Some think we're just vain and that is the only reason why we complain when the volume of the band is deafening and somewhere lost amidst the sound waves, we wonder, �could that be my voice?�

Vanity or Necessity

You know, it's not vanity but necessity that drives us in our fight to be heard. It is particular to our vocal instrument that hearing it is necessary to playing it. Of course it is easier and more enjoyable for any musician to perform when they can hear themselves well. However, a guitarist who knows the next chord can just look at the frets and place his fingers accordingly. As long as the guitar is in tune, he can still play the song despite not hearing himself well.

Another aspect of it is over-singing because you're anxious about not being heard. It's helpful to trust that the audience can hear you. Okay, so there are those times when your fans tell you afterwards that your voice was not loud enough. But when you're up on stage, you've got to believe they can hear you. If you are anxious about being heard, it will come across to the audience in the sound of your voice and you most likely strain � which injures your sound as well as your voice.

But a singer has a definite handicap in this contest. The voice instantaneously responds to thought. You have to think the next note before you sing it. Melody notes are relative to each other. Resultantly, not hearing the note you are singing makes it extremely difficult to intone the next one. So what are we to do in those maddening circumstances when it appears that there is no voice coming out of the monitor?

What If?

I could tell you that you should develop good relationships with every person who engineers your gigs. I could tell you to develop a system of agreed upon hand signals with the sound engineer. I could tell you to put together an on-stage pre-mix for your monitors, which then gets routed to the main board. I could tell you to stick a finger in your ear and listen to yourself from inside your head. However from the audience's perspective, singing with a hand over your ear generally doesn't enhance the visual of your performance. And if your band members have their speaker cabinets on stage, maybe you could arrange to have only your voice without the other instruments coming through your monitor.

All of these things would undoubtedly help. But the fact of the matter is, unless you've got your own personal monitors such as the �VoiceSolos� made by TC-Helicon or personalized ear monitors and a good support team with top of the line equipment, there will be more times than we would like to think when the on-stage mix is ah . . ., terrible.

Singing by Brail

"Singing by brail" is easier said than done, it's true. But you can develop perception and a sensitivity of the inner sensations of your voice. This takes lots of practice, self-awareness and really imagining the sounds you want to sing. You've got to hear them more in your mind than out of your mouth. Totally involve yourself in the creation. Once you are familiar with the inner sensations associated with the sounds of your voice, you will be able to sing even when you can't hear yourself clearly. You'll be singing a bit more by feeling rather than by hearing.

You have to practice to be ready to deal with it and not get thrown off or tense your throat or shout yourself hoarse trying to get enough volume. I've spent years researching and analyzing the voice and its related areas and have developed exercises that will truly develop the natural inner muscle movements that create your sound. As you practice them you develop the required strength and stamina to last in a band and sing night after night without losing your voice. These exercises also help you develop a level of trust and certainty in your voice. One that you can rely on even in the trying times when you need to "sing by brail."

The Bottom Line

Singing when you can hear yourself is fun. Singing when you can�t hear yourself is a drag and you can hurt your voice in the process.

Often, an off pitch or �pitchy� singer is the result of difficulty hearing themselves sing rather than a bad �ear.� They are either being drowned out by a band that does not recognize they are there to support not overshadow the vocal or the monitors are distorting your voice, giving back an �untrue� sound that fools you, making you incorrectly intend the next pitch.

On occasion it is also true that it could be the result of an undeveloped voice, unable to project enough for the electronics to then amplify. But the final result offers the same problem: unable to hear oneself within the context of the music.

Knowing the cause of a problem helps to reduce uncertainty and anxiety. Then you can take the correct steps to fix the problem.

Yours in song,
Jeannie Deva